Tuesday, 2 July 2013

More reviews for A Midsummer Night's Dream

This morning we have come in to find two more great reviews for the show from What To Do With The Kids and There Ought To Be Clowns.
Copyright Darren Thomas



What To Do With The  Kids described the show as "lively, engaging, fast-paced and all-round brilliant fun" whilst There Ought To Be Clowns highlighted the production's take on the Pyramus and Thisbe play by the Mechanicals; "one of the funnier treatments it has ever received", and praised the "vibrant and fun filled interpretation" of this Shakespeare classic.

What To Do With The Kids also describe the sun setting over the castle as "truly memorable and magical" To see the full review on their website click here, and check out the
review from There Ought To Be Clowns here.

Monday, 1 July 2013

The Newsletter review of A Midsummer Night's Dream: "brilliant brilliant brilliant"

Producer Derrick Gask strives to ensure there are no egos in his shows and this year’s cast has done him proud in the Bard’s classic tale of tangled relationships.


Copyright Darren Thomas

Surely the first name on the team sheet when casting for this classic Shakespeare comedy was Eric Potts in the role he has wanted all his career – Bottom. Now in his fourth Stafford Festival Shakespeare production it should be law that Potts comes to Stafford every year. He has the rare gift of being funny without even saying a word – quite simply a comedy legend. There is plenty of scope for Bottom’s character to eclipse all around him but the comedy maestro pitched it perfectly allowing others to shine.

And shine they did not least Georgina White – reminiscent of a young Susan George - whose Helena swung from maniacal paranoia to Frank Spencer-esque haplessness in a heartbeat. It was never so funny to see a woman lose her pride and her mind. Superb.

The interplay between the two love tangled couples Lysander (Craig Fletcher) and Hermia (Jennifer Greenwood) and Demetrius (Eamonn O’Dwyer) and Helena was effortless. Hard to believe they had only been together for a couple of weeks.

As for Bottom’s merry men of mirth Phylip Harries, a veteran of SFS shows, was a perfect foil for Potts. It is the third time the pair have appeared together at Stafford Castle – they were last seen together two years ago in The Comedy of Errors when they brought the house down and Gask, a shrewd producer reunited a partnership that is comedy gold. Their play for Theseus, the Duke of Athens, played imperiously by Robert Fitch, was absolutely side splitting.

Simone James made a majestic Hypolita and a tantalising Titania and Lanre Malaolu was delicious as he strutted cockily around spreading his mayhem among the lovers.


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A sellout first night audience was treated to a flawless performance from everyone. There were some glorious harmonies devised by MD Greg Palmer and a simple and elegant dance routine put together by a Hollywood choreographer no less – Francesca Jaynes, who has worked on films including Charlie and the Chocolate Factory, Sweeney Todd and Alice in Wonderland and is on her fifth SFS production.

Also in charge for the fifth time is director Peter Rowe. Gask has assembled a tight team who work like a well oiled machine and has scored another success with this show.

The annual Shakespeare at the castle is the highlight of Stafford’s artistic calendar and provides a quintessentially English experience. Add a picnic or a deli platter to die for from caterer’s from the town’s Swan Hotel and it’s a multi sensory treat that should not be missed.

Tickets are flying out of the box office and with good reason – A Midsummer Night’s Dream reeks of quality. Brilliant brilliant brilliant.

The Sentinel's review of A Midsummer Night's Dream: "a spectacular performance"

Set against the ruins of Stafford Castle, it was supposed to be the perfect backdrop for one of Shakespeare's most loved comedies. But as the grey skies loomed, it seemed more fitting for a performance of The Tempest than A Midsummer Night's Dream.

That said, the wet and slightly muddy cast pulled off a spectacular performance on the opening night of Stafford Festival Shakespeare.

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The 23rd production by Stafford Gatehouse Theatre was brought to life by the same successful creative team as last year's Romeo and Juliet. This time, they made use of the up-lit castle as the perfect backdrop – leaving the windy paths up to the top of the mount in full view.

The production, which took a year to put together, threaded together the ludicrous nature of love with some of Shakespeare's best slapstick comedy – including a very well cast Eric Potts as the main comic relief of Bottom the weaver.

The former Coronation Street man had the audience onside almost from his first line.
His overbearing interpretation of Bottom, complete with a broad Lancashire accent, set the comic pace of the show while his quips about the drizzle only added to the merriment.

The plot of A Midsummer Night's Dream sees two worlds collide as meddling fairies use a love potion to trick two Athenean suitors into falling in love with the same unsuspecting maid.
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The unlikely tangle of lovers Hermia, Lysander, Helena and Demetrius was played out to perfection on the raised meadow set, with both female leads impressing.

Director Peter Rowe has said: "A Midsummer Night's Dream is a beautiful play about illusion and reality and how close being in love is to being mad." This certainly rang true as Helena, played by Georgina White, clung to Lysander's leg and declared "make me your spaniel".

King of the fairies Oberon played a strong part dressed in a black cloak woven with poison ivy and a turquoise and blue tunic.


Copyright Darren Thomas

However, for me it was the mischievous Puck who outshone his fellow actors and actresses as he nimble-footed across the stage with the love potion. He was both captivating and convincing in the role and delivered a great soliloquy swathed in mist towards the end of the night. Spell-binding.

The Mirror's review of A Midsummer Night's Dream: "a truly memorable evening out"

Former Coronation Street star Eric Potts has gone from the heights of the nation's favourite soap right to the Bottom...and he's loving it!
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In a far cry from the cobbles of Weatherfield, the actor who played baker Diggory Compton has become the star turn in a summer production of Shakespeare's comedy A Midsummer Night's Dream.


And Potts himself is thrilled about the chance to play one of the Bard's most beloved characters, Nick Bottom, among a group of craftsmen, known as the Mechanicals.

As Potts says, "I've wanted to play this role since leaving drama college, but it's taken me 26 years to play it on stage!"

His performance is the focal point of the open-air Stafford Festival Shakespeare - now in its 23rd year and growing impressively in popularity - set in the grounds of Stafford Castle.

With appearances in Aladdin, Dick Whittington and Jack And The Beanstalk on his CV, it will come as little surprise to learn that Potts' Bottom ranges from the bombastic to the pantomimic. Indeed, it is fair to say that his Bottom is loud and explosive.

Although originally from Ayrshire, Potts delivers his character's lines in a Coronation Street "talk-as-I-find" accent, where subtlety gives way to direct blows on the funny bone. Or, why knock in a nail with a hammer, when you can use a JCB?


Set loosely in the Edwardian period, Bottom and his fellow Mechanicals - dressed aptly in ivory jackets and boaters - slowly get things started musically, as each plays a different instrument and they offer renditions of various Gilbert and Sullivan classics.


Indeed, director Peter Rowe relies heavily on a music hall-style interpretation and this "overture", which includes audience participation, serves to introduce the Mechanicals, as well as warm up the crowd.

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As the "overture" ends, Theseus (Robert Fitch) and Hippolyta (Simone James), who double up later as Oberon and Titania respectively, begin a stately descent from the castle on the top of the steep hill to a set cleverly designed by Libby Watson.
 
She has seamlessly linked the verdant stage design to the natural grassy banks that skirt the castle approach, interspersing them with three strategically placed pavilions, one of which serves as a bandstand for the Mechanicals.

The actors all use head-attached, almost unobtrusive, microphones, which, for regular indoor theatre-goers can seem a little strange, but is understandable, bearing in mind the open-air performance can always fall victim to the vicissitudes of the English weather.


Chief among the main protagonists is Jennifer Greenwood, whose entirely engaging performance as Hermia is a real hit. Her woodland "battle" with Helena, played wittily, by Georgina White is, suitably, one of the highlights of the production.


Their lovers, Lysander (Craig Fletcher) and Demetrius (Eamonn O'Dwyer), acquit themselves with intelligent vigour and all the lovers have an acute sense of comedic timing.


As for the fairy Puck, Lanre Malaolu plays him with an intentional freneticism that is highly watchable.


Copyright Darren Thomas

But the Mechanicals, inevitably, are the ones who have the audience howling with laughter, with Potts in the lead, but closely followed by Quince (Phylip Harries) and Flute (James Haggie).

It's knockabout Shakespeare - not necessarily for the die-hard purist - but certainly, and most importantly, a lively way to introduce youngsters to the delights of the Bard and provide families with a truly memorable evening out.

Two airy marquees adjoining the purpose-built auditorium accommodate a bar and a restaurant. The latter, provided by one of the region's most respected hoteliers, The Lewis Partnership, serves first-class food at a very reasonable price and is the perfect "starter" before the main course of the theatrical experience.

As Potts, who is starring in his fourth year at the Stafford Festival Shakespeare says, "I love the atmosphere up on the hill and, weather permitting, you get a lovely evening with people coming up early for picnics and evening meals before seeing the show. It's a lovely family fun day with views over Staffordshire and a great piece of entertainment."

Or, as Bottom would say: "'Tis a sweet comedy."